The mural and the muralists tell us:
That the universe is feminist,
That everything collaborates with everything else and yet many of us are not ready to hear it
That, on Earth, we are not better than anybody else
That the land doesn’t belong to us, but we belong to the land, as Chief Seattle said
That we have a right to the city
That nothing in cosmos is permanent
That we are part of a life circle, which we keep on destroying
Do we want life to continue without us? We need to hold on to our imagination to be able to see the planet fully We need to hold grief, rage and joy, at the same time Since rage can be love
We need to comprehend poetry and architecture not as opposites, but as joints Poesis - is to make something out of nothing
We need to catch up with ancestral knowledge For the benefit of the world made of sky, earth and water
For the benefit of the observer and the observed to be entwined in ways that we are not yet ready to understand
For all of us to be guided by "not-yet," a felt awareness of what is to come.
This planetary painting is based on an oil painting by the artist, poet, and environmental activist Cecilia Vicuña, translated into a mural by artist and activist Coco Bergholm from the Hamburg Right to the City Gängeviertel community.
We have used ashes from the Amazon rainforest, collected by Amazonian firefighters and donated to the environmental mural collective Cinzas da Floresta in São Paulo, which subsequently passed them on to City Curator Hamburg.
The text brings together fragments of poems by Cecilia Vicuña and spoken words by Coco Bergholm.
Cecilia Vicuña & Coco Bergholm
Tara's Tears (A Prayer for the World)
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Cecilia Vicuña, Tara’s Tears (A Prayer for the World), 2021/2026 translated into a mural by Coco Bergholm © Foto Daria Kulnina
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Cecilia Vicuña, Tara’s Tears (A Prayer for the World), 2021/2026 translated into a mural by Coco Bergholm © Foto Felix Krebs
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Cecilia Vicuña, Tara’s Tears (A Prayer for the World), 2021 © Foto Elisabeth Bernstein
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